You have the option to shoot in either 2K or 4K on-board, or 16 bit RAW 2K/4K via a Sony AXS-R5 outboard recorder. Rated at 1250ASA it allows for an impressive 14 stop exposure latitude. The Sony F55 is a compact, light-weight, 4K digital motion picture camera. An M90 kit is three to four times more compact than the Arrimax 18/12K, but still delivers 50% of the light, so potentially a huge time saver for your lighting crew. Lighting power requirements have recently dropped with the emergence of high dynamic range digital motion cameras (such as the Arri Alexa XT and Sony F55/F5). The M90 is the small giant of the lighting world. All this, and an 11 f-stop power range to boot. The ability to fire up to 30 flashes per second, means you don’t need to reshoot that tricky motion sequence hundreds of times to get your perfect shot. It allows you to shoot up to 1/25,000 of a second whether you’re out in the field, or connected to mains power in a studio. The Profoto B4 can capture motion in breath-taking clarity and incredible speed.
Combined with the 1600W Softtube, quick and easy to incorporate, saving valuable set-up time, this usually hard light now gives a soft and even light source. Supplied with four different lenses (Medium, Wide, Super-Wide and a Frosted Fresnel), it gives you a huge range of control, varying lighting spread from 5 to 45 degrees.
#Sony f55 axs movi pro full
The Jokerbug 1600 is the latest in the Joker generation of daylight fixtures, producing one full stop more light than it’s cousin, the Joker 800. The ‘Scout’ cart is durable (holding up to 600lbs), yet ultra-lightweight (64lbs), and folds down to a compact 7” deep base, lending itself perfectly to those travelling the world or working outdoors.
#Sony f55 axs movi pro portable
Inovativ Equipment CartsĬombining 100% sealed bearing wheels, disk brakes, and their Self Locking Adjustable Shelving System which allows 10” of height adjustability, Inovativ ‘s carts are the some of the most practical and portable equipment carts on the market. The Alexa has become the natural choice for cinematographers who are looking to recreate the mood and depth of film cinematography. It exclusively utilises the finest PL mount lenses on the market, including Cookes S5i and MiniS4/I, Zeiss Master Primes, Ultra Primes and Compact Primes. At 16:9 you can shoot up to 120fps, and up to 48fps at 4:3.
#Sony f55 axs movi pro 1080p
It allows you to shoot in 1080p through to ProRes 2K, recording directly on to SxS PRO cards or XR capture drives (in-camera). Arri Alexa XTĪrri boast the “most capable and highly regarded motion picture camera system in the market” with the Alexa XT. Check out the incredible results of their demo video here. Working beautifully in tandem with the Red Epic or Canon C300, the world of steadicam motion is now available for a fraction of the budget as previously possible. Say goodbye to the tripod and dolly as Movi’s steadicam system gives flawlessly smooth motion capture through a diverse range of movements. This means we can deliver the power you need, wherever you need to be shooting. This custom made vehicle is the smallest of its size to house a record breaking 60K generator. Quite literally, our on-location power-house. Below we outline Pixipixel’s most up-to-date stills, motion and lighting equipment available for hire.
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